aureate

Golden in color or shine.

O wynd of grace, now blowe into my saile, / O auriat lycour of Clyo, for to wryte / Mi penne enspire of that I wold endyte.

And those who husbanded the Golden Grain, / And those who flung it to the Winds like Rain, / Alike to no such aureate Earth are turn'd, / As, buried once, Men want dug up again.

Of language: characterized by the use of (excessively) ornamental or grandiose terms, often of Latin or French origin.

It may, then, be said that aureate terms were those new words, chiefly Romance or Latinical in origin, continually sought, under authority of criticism and the best writers, for a rich and expressive style in English, from about 1350 to about 1530.

In the only monograph on the subject, John Cooper Mendenhall describes aureate terms as "words designed to achieve sententiousness and sonorous ornamentation of style principally through their being new, rare, or uncommon, and approved by the critical opinion of their time." Since the time of Lydgate, who named these loan words and neologisms "aureate terms" to denote their linguistic gilding, Latin or Latinate words were considered the prime examples. However, readers who found aureate terms pretentious began to call them inkhorn and inkpot terms, both references to the receptacles scholars carried to hold ink.