sinocentrism

The belief, held by the ancient Chinese, that China was literally the centre of the world.

Up to now, China's encounter with the West has more or less been exclusively researched under the perspective of Sinocentrism, both by Western and Chinese scholars. [...] Nobody, however biased, can deny the existence, historical and actual, of Sinocentrism, which I at one time called the Celestial Empire Syndrome. It is well known that China had considered itself as the centre of the world since the beginning of the written record until its utter humiliation brought about by the Opium Wars in the 19ᵗʰ century and the Boxers' Revolt later.

The so-called ancient Chinese patriotism that has been repeatedly discussed by many people was only sinocentrism (huaxia zhongxing zhuyi).

The practice of viewing the world from a Chinese perspective, with an implied belief, either consciously or subconsciously, in the pre-eminence of Chinese culture.

Intellectual activity during the Edo period can be broadly classified into three categories: [...] (2) Japanese learning (kokugaku), which arose in mid-Tokugawa times as a reaction to the sinocentrism that then prevailed in scholarly circles; [...]

Thus, he [Yokoi Shōnan] repudiated Sinocentrism, which viewed both China and Japan as Chinese in the broader sense of the word and the West as barbarian.

Ethnocentrism among the Han people of China; Han chauvinism.

[page 81] While Berry is certainly correct in identifying "sinocentrism," which he would rather term "race-centrism," in post-1949 Chinese film, what he sees as "raceization" (or "sinification" as used elsewhere by Paul Clark) is, I would contend, a politically motivated and manipulated process of cultural production. [...] [page 95] To return to Chris Berry's theory of "race," one realizes that he has made an overstatement in treating recent Chinese films as a radical challenge not only to "sinocentrism" but perhaps also "the very assumption of a fundamental duality separating the Han Chinese and the foreign."

Alternative letter-case form of Sinocentrism.

Intellectual activity during the Edo period can be broadly classified into three categories: [...] (2) Japanese learning (kokugaku), which arose in mid-Tokugawa times as a reaction to the sinocentrism that then prevailed in scholarly circles; [...]

[page 81] While Berry is certainly correct in identifying "sinocentrism," which he would rather term "race-centrism," in post-1949 Chinese film, what he sees as "raceization" (or "sinification" as used elsewhere by Paul Clark) is, I would contend, a politically motivated and manipulated process of cultural production. [...] [page 95] To return to Chris Berry's theory of "race," one realizes that he has made an overstatement in treating recent Chinese films as a radical challenge not only to "sinocentrism" but perhaps also "the very assumption of a fundamental duality separating the Han Chinese and the foreign."