cripqueer

The intent of this chapter, therefore, is to encourage awareness and pride in cripqueer sexuality; […]

Similarly, writing on the ways in which crip and queer identities inform one another onstage, Carrie Sandahl argues, "Cripqueer artists redefine gender and sexuality by cripping and queering both. […]

Here and throughout F**k the Disabled Walloch deploys a cripqueer consciousness and playful performativity in order to undermine dominant social and political relations among queers, crips and 'normal